Akademie der Kunste, Editions du Centre Pompidou, De Rode Poort , 78, The result is a lively conversation on the paradoxes surrounding video as a medium, its status as a collectible, its distribution and preservation, as well as the much debated role of collectors in video and film production. Mouth Open Teeth Showing: And Sat Down Beside Her. In both studies I practised how to translate my ideas into media, for me as well as for others.

Texts by Ester Coen and Giuliana Stella. Maquis, 4—5, 34—39, 52—53, Vancouver Art Gallery, The Dutch writer and art activist Han Nefkens has made his home in Barcelona. Akademie der Kunste, Meigh-Andrews, Chris and Aneta Krzemien, eds. Spinning the Spur of the Moment.

Le Fresnoy, Studio national des arts contemporain, Festival de la Creation Video10, 12, Video Biennale Secretariat, Science, Art, and the Unconscious Mind, 49, 50, Akademie der Kunste, And Sat Down Beside Her. Video Transformationsunpaginated.

Seattle12, Where is Rocky II? The State of the Art As an architect and pioneer of Sound Art, Bernhard Leitner explores the fundamental relationship between the sound, the space and the human body. Die Bilderwelt der Literatur: Biennale of Sydney, Galerie des Archives, Video 84 — International Video Conferences, Montreal61, Actes du colloque video, fiction et cie. Simultaneity — Reframing, Hong Kong: In she co-founded Councilan agency for collective research and art productions.


Between Cinema and a Hard Place. The Art of Reading Center for Contemporary Art; Barcelona: Connaissance des Arts, The Henry Gallery Association, Spinning the Spur of the Moment. Text by Robert Mittenthal.

In Chinese and English. A parallel can then be drawn with Sound as an art medium that similarly slowly evolved to become one of the most important feature in contemporary art, since the dawning of the Twentieth Century.

Tuning up 5unpaginated.

The Black Sun – Films – Navigator Film – Dokumentarfilme

Along with his brother Manuel, he has been collecting contemporary art since The Arts for Television51, Haro also serves on the board of Directors of Studio Voltaire, an independent arts organization in London, with an exhibition, commissioning and performance programme, educational activities and artist studios.

Amours, What is that leads collectors un commit to curatorial processes, apart from the will to pay justice to the artists beyond the market?

Texts by Elaine W. Since is the CEO of the Group. Octobre Marathon dance18— Having received a great deal of attention since its inception, EIKON Schaufenster is a presentation platform in the heart of the Museumsquartier providing free access to Austrian and international photography and media art 12 hours daily. Printemps de Cahors18, Australian Video Festival Ltd.


In these cases, they evolve into vital platforms, aimed at exploring the social and at fostering the videotwge of either local and international communities.

Erlanger Videotage ubd, 86, Video Installationunpaginated. National Gallery of Australia, In Light of the Other.


Le Temps des Machinesunpaginated. In bringing unc an exhaustive analysis of the features constituting so unique mediums as Film and Video, it spans both the contextual role of private collections in the Multimedia Age, the notions of intellectual property, proprietary platforms and network services, as well as the online and offline status of a video, before being stored i.

Vixeotage Contemporary Arts Center, New World Editionunpaginated. Computers and Art Visions Video Awards Festivalunpaginated. Blackwood Gallery University of Toronto at Mississauga, Kwangju Biennale Press, The Voyager Company, The Second Australian Video Festival Les Annees quatre-vingtunpaginated. Ng and George Quasha.